Interview

Over the years, a number of conversations and interviews have surfaced that shed light on Omar Khorshid's artistic philosophy, his approach to the guitar, and his experiences across Egypt and Lebanon. This section gathers those rare spoken moments — press encounters, broadcast conversations, and personal recollections shared by those who knew him.

In His Own Words

Omar Khorshid was not a man who sought the spotlight offstage, yet when he did speak about his craft, his words revealed a deep commitment to placing the guitar at the heart of the Middle Eastern orchestra — a mission that defined much of his career. Interviews from his time in Beirut capture an artist in full command of his vision, navigating the vibrant Lebanese music scene of the mid-1970s with confidence and grace.

Conversations That Endure

Fragments of radio interviews and print features from the era continue to circulate among devoted listeners. These exchanges offer glimpses into his working methods, his thoughts on composition, and the personal warmth that those around him consistently described. For fans who never had the chance to hear him speak, these interviews remain a precious window into the man behind the music.

More interview material is being gathered and will be added to this page as it becomes available. If you have access to recorded or transcribed interviews with Omar Khorshid, the webmaster welcomes contributions.

These recorded conversations offer more than biographical detail; they capture the working methods and quiet discipline of a musician who treated the electric guitar as a serious concert instrument rather than a novelty. In his remarks, Khorshid consistently returned to themes of arrangement and restraint, describing how he adapted traditional maqamat and rhythmic cycles to the capabilities of the instrument without diluting their emotional character. Colleagues who shared the stage or the studio with him recall a meticulous player who arrived prepared, listened closely to the ensemble, and shaped his solos around the vocal line rather than over it. Taken together, these interviews form a portrait of an artist whose humility in conversation contrasted sharply with the boldness of his recordings, and they remind listeners that the music itself always remained the primary subject.